Lazzaro Donati Art
to
8
8
7
7
1
Italian Modernist Surrealist Architecture Landscape Oil Painting Lazzaro Donati
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977)
Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964
Hand signed upper right. signed, titled on back of panel.
Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19"
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Italian Modernist Surrealist Woman Colorful Oil Painting Lazzaro Donati
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977)
Oil on board. Colorful woman.
Hand signed upper right. signed, titled on back of panel.
Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20"
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Italian Modernist Surrealist Woman Color Oil Painting Lazzaro Donati La Regina
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977)
Oil on board. Colorful woman. La Regina (the Queen)
Hand signed upper right. signed, titled on back of panel.
Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20"
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Italian Modernist Surrealist Woman Color Oil Painting Lazzaro Donati La Signora
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977)
Oil on board. Colorful woman. La Signora, Vestita Di Giallo, 1969
Hand signed upper right. signed, titled on back of panel.
Dimensions: (Frame) H 38" x W 30", (Panel) H 28" x W 20"
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Large Italian Modernist Surrealist Lady Mod Oil Painting "La Ragazza Ungherese"
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977), Framed oil painting "La Ragazza Ungherese" The Hungarian Girl. Dated 1961.
Framed: 36.25 x 28.5 inches. In good condition.
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem.
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Canvas, Oil
Italian Modernist Surrealist Lady With a Hat Oil Painting, Signora dal Cappello
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem.
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a painting...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Italian Oil and Graphite Abstract Nude Painting by Lazzaro Donati
By Lazzaro Donati
Located in Palm Springs, CA
1961 abstract female nude oil and graphite painting on board by listed Italian artists Lazzaro Donati.
The painting title “Sitting Naked in Pink” is signed Donati on the front and s...
Category
1960s Italian Mid-Century Modern Vintage Lazzaro Donati Art
Materials
Acrylic, Paint
Regina Enthroned
By Lazzaro Donati
Located in Missouri, MO
Lazzaro Donati (Italian 1926-1977)
"La Regina"
Bronze
Signed on Base
Size: approx 19 x 9 x 9 inches
Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia.
Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America.
Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone."
He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint."
When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!"
But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...
Category
Late 20th Century Modern Lazzaro Donati Art
Materials
Bronze
Related Items
Dancing Lovers
Located in Zofingen, AG
In this oil painting, I've blended abstract, figurative, and surreal elements to capture the fluid motion and raw emotion of an intimate dance. The intertwining forms, awash in shade...
Category
2010s Surrealist Lazzaro Donati Art
Materials
Oil
"Opulence 12" Mixed Media Painting
By Aiden Kringen
Located in Denver, CO
Aiden Kringen's (US based) "Opulence 12" is an original handmade oil painting that is unframed, but ready to hang.
About the Artist:
A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces.
Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work.
Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences.
It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms.
There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition.
In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen.
—Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...
Category
2010s Surrealist Lazzaro Donati Art
Materials
Canvas, Oil, Acrylic
Large Surrealist Oil on Canvas. 'She brought Colour into his Life'.
By Frank Docherty
Located in Cotignac, FR
Large surrealist contemporary oil on canvas by Scottish artist Frank McLean Docherty R.S.W, signed and dated bottom left and signed and titled 'She brought Colour into his Life' to the reverse.
This piece whilst wonderfully colourful, playful and erotic is typical of the witty sense of humour this artist displays in all his work. Docherty likes to tease us visually and asks questions and presents conundrums to the viewer.
Frank McLean Docherty was born in Glasgow , Scotland in 1942. He became a student at Glasgow School of Art in 1960 and graduated from the Department of Printed Textiles in 1964. He taught in a secondary school in the East End of Glasgow for two years, thereafter departing to work in Dublin in the Republic of Ireland as a textile designer (Marks & Spencer, Heals and Liberty of London). He was also an illustrator for a range of newspapers and an Art Director of magazines.
In 1973, he was appointed Principal Teacher of Art in a Scottish High School and in 1978 was honoured by the Queen when he was appointed Member of the Royal Society of Painters in Watercolours (R.S.W.) He left education in 1994. Since that time he has developed a vision which is quite unique in Scottish Art.
Bank Managers, toucans, lighthouses, penguins, bowler hats, Frank Docherty...
Category
21st Century and Contemporary Surrealist Lazzaro Donati Art
Materials
Canvas, Oil
H 42.13 in W 38.39 in D 0.4 in
A Garden Grows in the Midst of the Famous Drummer
Located in Santa Monica, CA
Oil painting, features an experience by drummer from the band Rush.
Category
21st Century and Contemporary Surrealist Lazzaro Donati Art
Materials
Oil
"I Know Not How to Find the Spring, " Oil Painting
By Alexandra Manukyan
Located in Denver, CO
Alexandra Manukyan's "I Know Not How to Find the Spring" is an original, handmade oil painting that depicts a female model with white feathers in he...
Category
2010s Surrealist Lazzaro Donati Art
Materials
Oil, Linen
Surrealist Very Large Late 20th Century Oil on Canvas. 'The Temple'.
Located in Cotignac, FR
Very large Late 20th century surrealist oil on canvas by British artist Derek Carruthers. The painting is signed to the bottom right.
An imposing and highly colourful painting of co...
Category
Late 20th Century Surrealist Lazzaro Donati Art
Materials
Canvas, Oil
H 77.96 in W 53.94 in D 0.79 in
Bask, Original Contemporary Surrealist Figurative Mixed Media Portrait Painting
Located in Boston, MA
Bask, Original Contemporary Surrealist Figurative Mixed Media Portrait Painting
42" x 33" x 1.5" (HxWxD) Oil and Print on Canvas
This mixed media portrait by artist Sarah Jacobs...
Category
21st Century and Contemporary Surrealist Lazzaro Donati Art
Materials
Canvas, Oil, Color
"Diver" Contemporary Figurative Surrealist Portrait painting
Located in East Quogue, NY
"Diver" - Surrealist portrait painting of a female emerging from the water with a pearl on her tongue by Paul Green. Acrylic on panel. Signed on back by art...
Category
1990s Surrealist Lazzaro Donati Art
Materials
Acrylic, Wood Panel
surreal woman face oil on canvas painting
By Miquel Torner de Semir
Located in Barcelona, Barcelona
Miquel Torner de Semir (1938) - Surrealist figure - Oil on canvas
Oil measures 46x38 cm.
Frameless.
Miquel Torner de Semir (1938)
Catalan painter attracted by the Middle Ages and I...
Category
1990s Surrealist Lazzaro Donati Art
Materials
Oil, Canvas
No Reserve
H 18.12 in W 14.97 in
"Iris" Surrealistc Beautiful Woman´s Body emerging from a flower. Large format.
By Lluis Rizzo Rey
Located in Segovia, ES
"Iris" oil on panel, mixed technique by Lluis Rizzo.
Hyperrealist painting.
Measurements: (H) 114 x (W) 146 cm.
Framed: (H) 144 x (W) 176 x (D) 5 cm.
« Iris »
Here we have a rare species of Iris that will not be found in botanical books but in art catalogs...
Category
Early 2000s Surrealist Lazzaro Donati Art
Materials
Oil, Acrylic, Color Pencil, Wood Panel
Lluis Rizzo Rey"Iris" Surrealistc Beautiful Woman´s Body emerging from a flower. Large format., 2008
H 56.7 in W 69.3 in D 1.97 in
Monday: 3 Down, Method of Removing Hair Roots (12)
By Ben McLaughlin
Located in Saint Louis, MO
Ben McLaughlin
Monday: 3 down, Method of removing hair roots (12), 2008
Oil on panel
6 3/4 x 4 1/2 inches (17.1 x 11.4 cm)
Category
Early 2000s Surrealist Lazzaro Donati Art
Materials
Oil, Panel
Missing Pieces (oil painting surrealist birthday cake dessert couple cherry red)
By Rudolf Kosow
Located in Quebec, Quebec
At first glance, simple, banal things are visible but something is clearly strange here, what is going
on here? And where did a piece of cake disappear?
keywords; surrealism, food, ...
Category
2010s Surrealist Lazzaro Donati Art
Materials
Canvas, Oil
H 37.41 in W 39.38 in D 0.79 in
Previously Available Items
Italian Modernist Surrealist Bowl Of Fruit Still Life Oil Painting La Fruttiera
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.75 X 24.75. sight 13.5 X 15.5
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem.
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Panel, Oil
La Contessa (abstract woman portrait)
By Lazzaro Donati
Located in Wilton Manors, FL
Lazzaro Donati (1926-1977). La Contessa, 1968. Oil paint and oil pastel on wood panel. Panel measures 14 x 15.75 inches. Frames measurement: 14.5 x 16.25 inches. Custom welded steel float frame with resolved corners. Excellent condition with no damage or conservation. Signed, titled and dated en verso by the artist.
Lazzaro Donati (January 8, 1926 [1] - 1977) was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia.
Biography:
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America.
Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a painting to everyone.”
Maternita 1968
He had no sympathy for the “drip and splash” studios of his contemporaries, preferring to keep his studio tidy and spotless. “Painting is a matter of precision”, he said, “If a painter can’t put his paint where he wants it to go, I don’t see how he can call himself a painter. For me it is absolutely necessary to control the paint.”
When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, “That is a secret between me and my butler. Actually, most of my paintings are done by him!” But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...
Category
Mid-20th Century Abstract Lazzaro Donati Art
Materials
Oil Pastel, Oil, Wood Panel
Large Italian Modernist Surrealist Architectural Mod Oil Painting Florence Italy
By Lazzaro Donati
Located in Surfside, FL
Frames size 40 X 33 inches. image 28 X 20.
Lazzaro Donati (Italian, 1926-1977), Framed oil painting "Salute in Grigio Nero" Dated 1960.
Provenance: Florence Art Gallery (bears their stamp verso)
Framed: In good condition.
Provenance: Important Miami Beach estate that included many paintings and sculpture by Post Impressionist masterpieces and works by Latin American masters.
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is fauvist modernist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem.
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a painting...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Canvas, Oil
Large Italian Modernist Surrealist Lady Mod Oil Painting "La Mia Amica Carla"
By Lazzaro Donati
Located in Surfside, FL
Lazzaro Donati (Italian, 1926-1977), Framed oil painting "La Mia Amica Carla" 1962.
image: 27 x 19 inches, Framed: 39 x 31 inches. In good condition.
Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem.
Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell a...
Category
1960s Surrealist Lazzaro Donati Art
Materials
Oil, Canvas
"Bust of a Heavenly Woman"
By Lazzaro Donati
Located in Lake Worth Beach, FL
size 14"x16" framed
Signed and title on the back.
Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1...
Category
1960s Expressionist Lazzaro Donati Art
Materials
Oil, Wood Panel
Lazzaro Donati Oil on Canvas Rooftops of Florence
By Lazzaro Donati
Located in New York, NY
A wonderful view of the rooftops of Florence by Lazzaro Donati oil on board signed on upper left side and rear.
Category
1950s Italian Vintage Lazzaro Donati Art
Materials
Canvas
Lazzaro Donati art for sale on 1stDibs.
Find a wide variety of authentic Lazzaro Donati art available for sale on 1stDibs. You can also browse by medium to find art by Lazzaro Donati in oil paint, paint, panel and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Surrealist style. Not every interior allows for large Lazzaro Donati art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Jean Calogero, Gian Berto Vanni, and Fiona Morley. Lazzaro Donati art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $5,000 and tops out at $6,000, while the average work can sell for $6,000.